Whew! Another slog to finish chapter 27 of “Tishta the Crystal Orb.” I spent a large part of my writing time going to NorWesCon40 last weekend, so spent it listening instead of writing. I believe these events are well worth the time. During my edit of “Invasion,” I made many changes to the last chapter, “Denalton,” to tie the two together. I probably added more new stuff to “Denalton” than I did to “Invasion”—although the current chapter required all its editing.
The new writing has been fun, but challenging, to add to the story. There have been some new interactions within the main group, but the biggest part in these chapters was adding a lot more story around one of the Dark Wizards, Baldru, who has been hounding them.
Working from some notes, I added a totally new character—an apprentice for Baldru, called Keldra—as well as giving some more personality and description to a couple of other wizards that work with him. Keldra surprised me by turning out to be a girl—in this world, girls don’t tend to be very powerful as wizards, usually becoming witches, which is a totally different thing. Baldru looks right past that. She can conjure demons, just like him. He is ecstatic. They were featured in two new scenes.
I knew Baldru kidnapped Gentu, but not how he pulled it off. When Keldra joined the story, I found the answer. With Keldra joining his forces, Baldru can put up quite an army of demons. This will help towards the end of the book, where Criften and Baldru get into it—but, that’s getting ahead of myself.
In “Invasion,” I expanded Coltan’s interest and concern over Gentu. In the original draft, after Gentu goes off to be with Maglin—due to his injury with the poisoned dagger—Coltan didn’t do much grieving. It was something my editor, Anne Bean, found lacking. I’ve added quite a bit about it in this version. It helps that I also added Criften’s communications wth his allies, Maglin and Eido. Coltan now regularly checks in with Criften to see if Gentu is getting any better. He’s also very upset when he finds out he was kidnapped. I think it adds a lot to his story, and to the story in general. Gentu’s rescue is becoming a larger plot point and I have plans for it to interfere with Coltan’s judgment.
A fun scene that I added to this chapter was “Not Your Servant.” In it, I show the interaction between the god, Rindahl—currently inhabiting the body of a young boy—chastising his wizard, Anakru, after he sends him on a task.
Anakru turned to Rindahl. The god held his eyes. His orotund voice shook the wizard.
“I am not your servant to bow to your beck and call.”
I like the incongruity of the apparent young boy having a deep, resounding god’s voice. Even the choice of the vessel in which to make himself corporeal is telling. When gods inhabit humans—or whatever—in my world, they can’t just pick anyone they want. It’s someone weak, and it’s difficult for their wizards to keep them there. This is also true for Rahl. Baldru works hard to keep the god in the eunuch’s body, and he can only maintain him in Gentu for short periods of time.
It’s demanding to keep track of all my characters and what rules apply to them in this world. I keep copious notes. I write backstories. I try to ensure that if a character comes from the same region as another character, that they share similar names, physical traits, customs and speech patterns. I work way ahead in the series to ensure the things I know are going to happen will still make sense when we get there. I don’t know how much other writers do this. I always knew this would be an epic story, so have taken great care with it. I’ve heard stories about publishing a first book in a series and then abandoning the series because some key point was overlooked in the first book. I am doing everything possible, within some constraints—time being the most crucial one—to make certain that doesn’t happen to my story.
Copyright ©2014-17 Ramona Ridgewell. All rights reserved.